Interview

Yoshirou Kobayashi is a third-generation Edo Kiriko glasswork craftsman. “For me it’s not about the sanctity of tradition—I do this because it’s my job,” he says, in the dignified tone of an old-town Tokyo craftsman. Despite his brusque words, Kobayashi’s work as a certified traditional craftsman is striking. The sophistication and beauty of the decorative patterns of inlaid cuts covering his glasswork leaves a lasting impression.

In contrast, the work of his son Kohei, who has taken up the mantle as fourth-generation craftsman, is eye-catching with his bold use of colors and designs. Today the duo can be seen holding father-son exhibits, but when Kohei announced that he intended to take over the family trade six years ago with university graduation fast approaching, the elder Kobayashi was conflicted; he felt times were tough for craftsmen trying to make a living. While he says he soon hopes to see his son standing on his own two feet as a full-fledged craftsman, he considers Kohei a natural talent. Kohei has already won many awards and developed Edo Kiriko glass accessories, venturing out and carrying the tradition into uncharted territories. Kobayashi has entrusted the future of Edo Kiriko glasswork to him, saying, “This is no time for the craftsman to remain stoic and silent regarding his craft. My hope is that he goes forward in conveying the art of Edo Kiriko to the world and spreading understanding of our tradition.”